Tales of the punexpected

Tim Vine stopped his puns briefly, taking a moment under the warm stage lights, to mop his brow with a handkerchief and looked down at the slightly crumpled note of paper he pulled from the left pocket of his suit jacket.

“Okay, ladies and gentlemen, we’re very lucky to have him here. Would you join me in welcoming this man to the stage. He’s a Graphic designer and he is Mr Michael Reid!”
The surrounding audience in the darkness cheered and clapped as a few of them looked round for the next named guest. The comedian had already invited two random members of the audience up on to the small stage individually in the Pleasance Cabaret bar. He’d interviewed them, questioned them and joked with them and now it was my turn.
Upon entering the Cabaret bar and taking our seats in the audience before the show we had all found strips of paper, forms to fill out, lying on our seats and stools, waiting for us. Ka and myself took our seats in the third row, not wanting to venture too close to the stage as you risked getting picked out for interrogation that way.
The forms asked simply for your name, your occupation and a situation you’d been in recently or not so recently that could be deemed to have been ridiculous. I filled out my form, as did others, not thinking much of it but struggling at first to think of any slightly ridiculous situations until the more recent misadventure in the supermarket popped into my head. The recent supermarket misadventure in particular being the one where I couldn’t find my wife anywhere and ended up having to get her name announced over the tannoy. Shrugging, I handed my form up to the compere as he dived around the audience collecting other shruggingly filled out forms before he disappeared backstage, through the slim doors at the side of the stage on which two stools stood, with two microphones perched on each, alongside a table of props.
After around five minutes Tim Vine, the English comedian famous for his daft jokes, fast one-liners and non stop puns, eventually emerged from between the curtains at the back of the stage, greeted with applause by the gathered Fringe crowd and immediately launched into his usual barrage of jokes. It was only the second day of the Edinburgh Fringe so this would have most probably been a mere warm up act for him since he is performing his chat show act for the entirety of August.
As everyone cheered me up on to the stage the comedian greeted me with a big shake of the hand and invited me to sit on the second stool, where the previous two guests had sat. The first had been a red faced, mumbling mechanic whose story had centred around him giving someone a new wheel on their car and neglecting to tighten the wheel nuts, thus causing some embarrassment to his garage and getting himself a written warning when the wheel spun off a some point in the unfortunate customer’s journey home. Thankfully no one died, so it was okay to make light of it. Until the customer had been revealed to be a woman, of course, as this caused some upset from the audience much to Tim Vine’s surprise and wasted no time in accusing the audience of being sexist.
The second guest had been a wee lady, an accountant, from the best hotel in Edinburgh, apparently. Her Dad was polish and after some discussion, a discussion which seemed to inadvertently confuse the lady, it was revealed to her that this in fact made her half polish. This lady’s story involved a milk run in her local town when she was younger and a truck hitting and dragging the finishing line rope along with it bringing the flag pole down on to her head. Tim Vine shrugged views this as definite proof, if any were needed, as to her being polish.
During the accountant lady’s tale a young girl got up and left her seat, presumably to either visit the bar, the loo or just to escape. Tim Vine gave her a little mention as she escaped insisting that if you don’t like the stories you can always just sit through them, the show didn’t last too long.
There was no escape for me though as Tim Vine called me up on stage.
At first it felt fine, sitting up there. You can’t really see the audience as the only light in the room comes from the strong, warm, bright stage lights hanging overhead casting the rest of the room in darkness making you barely able to see beyond the first two rows of the audience. Beyond those first smiling rows there was only darkness, so my safe seat on the third row together with Ka, who had let out a fairly audible groan as I was called up, were shrouded in shadow before me.
Tim Vine introduced me to the audience once more and raised an eyebrow, or two, when I gave the audience a ‘hello, how are you doing?’.
Tim then asked about my job and upon mention of the words graphic designer a man in the second row on the right of the audience got up and left his seat, making his way to the doors. Tim Vine immediately caught on to this and mused over whether the man had something against graphic designers.
Tim wondered whether he’d said to his wife; “This is fine. I’ll come and see this show. But if someone even mentions the words graphic design I’m outta here. I’m drawing the line at that!”. Tim (notice how we’re on first name terms now!), then asked about the job, what it entails and where it was based, making sure is wasn’t in ‘Ayrshire’ to which I said I was pretty (sure) to which he replied “is it?”. I nodded, defending Glasgow even though I was sitting in a crowd, which was most probably made up of a good percentage of Edinburgh folk.
Tim then got me to go through the whole supermarket tannoy story (seen here) and noticed, as some do, that I sometimes, when a little nervous or excited, or on stage with a famous comedian, tend to repeat myself or get a little too enthusiastic about certain points in a story.
“So, I searched the length and breadth of the supermarket, twice, three, four times…”
Tim asked if I done most things three or four times.
Even as I told my story I realised it wasn’t very funny or interesting at all, not the way I was telling it anyway, and I was probably making a very boring chat show. I finished my story with the tannoy announcement and the rather shocked and embarrassed Ka making her way to the checkouts to meet her husband. Tim seemed to quite enjoy the tale launching off into a few of his supermarket puns, obviously ready and in mind as soon as he’d seen my note come through the backstage door and then, after a few more questions, asked for Ka to come to the stage. There was no movement in the darkness where the third row should have been. I looked into the shadows behind the first two rows looking for Ka to make and move but she didn’t. She had disowned me with embarrassment.
Apparently at some point in the next few moments Ka did put her hand up, but I never seen it, although Tim Vine definitely knew she was sitting there, in the third row, as he was willing her on to the stage with his eyes.
Just when I thought all hope was lost, and Ka had finally died of mortification, someone did jump up on to the stage. It was the girl who’d went to the loo during the earlier story.
“I’m Kelly-Ann!” she told us. “My name’s Kelly-Ann!”. Tim and I looked round at one another with surprise and then back at her.
“Well, this wasn’t planned at all”, Tim stated, wide eyed. “Was it 2 for the price of 1 that day?”
Tim Vine welcomed two others up on to the stage after me, a nurse, who kept claiming that not killing people was a good thing, and a teacher. As much as I thought my story was hardly exciting and pretty boring, as I recited it on stage, I am now quite happy and content with the fact that the two following guests’ stories were worse. The nurse’s story involved her losing a hat to the ocean whilst on a ferry and the teacher’s involved him dressing up as a turtle for one of his kids’ school plays. At least losing your wife in a supermarket and then getting her name called over the tannoy is vaguely humorous and a suitably daft for a Tim Vine show.
After the show finished Tim disappeared, back behind the curtains, at the rear of the stage, to the applause and cheers from the audience. As the lights came back up, everyone started making their way out the Pleasance cabaret bar, following the exit signs (they’re on the way out aren’t they?) through the double doors through which we had previously entered. After a few moments a familiar voice echoed out through the stage speakers.
“Would the wife of the Graphic Designer please make herself known to the stage”.
The shambling crowd all laughed as they made their way, looking round at Ka and myself as we followed among the crowd, but unfortunately Ka was too embarrassed or affronted to hang around any longer and we headed for the Pleasance courtyard.
It hadn’t occurred to me until afterwards that maybe, just maybe, Tim Vine had been wanting us to go to the stage to collect a best story or show contribution award?!
Or maybe not.