The Iron Horse, the Grey and the Hammer

Dad and myself sat in The Iron Horse as West Bromwich Albion hammered Wolverhampton 5-1 on the tv's hanging from the ceiling over our heads. We had just dropped Ka and the Mums off, among the traffic, piled up outside the SECC, for the Strictly Come Dancing afternoon show and had struggled to find a space for the car in the busy Glasgow streets on Sunday afternoon. I usually park up at The Station Bar, up next to the father in law’s old work, D. C. Thomson the printers, but since we were heading into town from the other direction we ended up just of Blythswood Square, where the ladies of the night used to hang out (I believe they’re all now based further down the hill, or over it). A swanky new Hotel has just opened up there and the street prices (for parking!) have doubled but thankfully, it was Sunday. Wonderful, free, Sunday street parking.
We headed up to the cinema and bought two tickets for 'The Grey' at half three, so, finding ourselves with at least two hours to spare we decided to while away the time over a few pints and a chat in the closest drinking establishment. We didn't fancy a coffee at the Starbucks or Pret a Manger though, both of which are almost, more or less, next door to the cinema. Instead we opted for The Iron Horse on West Nile Street. I thought it'd be a good opportunity to take my Dad for a pint for a change as we very rarely get the chance. While the women were watching the likes of Nancy Dell Olio and Robbie Savage trying to dance, Dad and myself were sitting relaxing by the window of the Iron Horse, over a pint of Caledonian Best, catching up, whilst the surrounding older clientele were served large Sunday lunches brimming with chips and onion rings.
So, for the first time in many years, I went to the cinema with my Dad. We could have repeated one of my very first cinema trips, from many moons ago, of which I, unfortunately, have no memory, in which he took me to see The Muppets, but I didn't think he'd be too interested in that these days. Instead we chose 'The Grey', a survivor thriller starring the ever dependable Liam Neeson.
Neeson plays a depressed oil-rigger, working out in the Alaskan wastes, defending the camp, the factories and the workers (a ragged bunch of characters from ex-cons and thugs to disgruntled family men) from the wild wolves which prowl the surrounding desert of snow. On a trip home, not long after take off, the plane crashes in the snow covered wastelands and leaves a small bunch of survivors struggling in the low temperatures and barren lands, Neeson taking the role of leader as the wolves start closing in around them.

As the small band of survivors try to make their way through the snow to some kind of safety, the weather and the wolves attack, picking them off one by one making each of the men face not only a struggle for survival but a struggle of friendship, cooperation and faith.
There were more than a few God debates and a few desperate calls for the almighty throughout the movie, especially once things started getting more than a little tough for Neeson, a man with a dwindling faith, struggling to come to terms with recent events in his life. The circumstances were different but it was something I identified with, having revisited similar big questions quite frequently in the past year or so and still coming up with no significant answers.
'The Grey' was the second visit to the cinema this weekend. The first being on Saturday afternoon on an unexpected family outing with the McGarva clan to see 'The Woman in Black', Hammer's new adaptation of the Susan Hill novel, which Ka and myself had previously seen in the theatre last year.
After attending a birthday party in East Kilbride on Friday evening, Jillian and Colin had stayed the night and together we were to go into town to see a movie on Saturday afternoon. That was only if the chaos in Glasgow had been sorted out by then.
At around half past three on Friday afternoon a man ran into the Italian restaurant Amarone on Glasgow's Nelson Mandela Square, demanding drink. Nothing particularly unusual there but when the waiters refused to serve him the guy claimed to have a bomb under his jacket.
The Police were called. Streets were closed. The nearby underground was closed. Trained negotiators were called in with shield bearing officers. Police cars and helicopters swooped into the area. Fire engines, ambulances, the Royal Navy bomb disposal team. All were called in before the nutter was quietly taken away in the back of a van at around midnight.
During the ruckus people were either diverted or forcibly kept in surrounding streets and shops whilst others, including all members of the restaurant staff, were all evacuated. A local student complained when the police told him to remain in a nearby branch of Subway, the sandwich shop. Surely any students dream come true?
I was in Subway for the first time in years yesterday. I met Ka for a Valentines lunch and bought her the £3 lunch special, a half baguette with whatever filling she could possibly wish for(as long as it was in the glass cabinet), plus a drink for a mere £3.
Not bad at all.
I text Ka from the office, wondering when her lunch break was, and asked her when she’d be “on the street”? Apparently this made her sound like one of those Blythswood Square ladies.

Anyway, as we sat on the high stools in Subway I realised the last time I had been in a Subway restaurant had been in New York, just off Times Square, in December 2003. The quality of that baguette was nowhere near as good as Hamilton's, but then I was probably slightly hungover back then and I may have been in a better mood yesterday as it was Valentines Day.
It’s a lot of nonsense. Another commercial card factory created piece of money making tomfoolery.
Valentines Day is supposed to be the day to celebrate your love for your significant other, shower her, or him, with love, affection and appreciation.
What’s wrong with any other day then? Do we slap them about for the other 365 days of the year? (it’s a leap year!)
Ka got a bunch of flowers, a card and half a chicken tikka baguette. I know how to treat my woman (none of your Greggs sausage rolls here, thank you very much!).
Anyway, back to Saturday’s cinema trip. As it turned out, the McGarva seniors were also invited to the flicks, so Jillian drove the four of us over to Uddingston to pick up Dougie and Grace and from there we headed into town, parking in possibly the most excpensive car park in town.
Jillian was driving her Mum's car, a large Scooby van like Volkswagen, with an abnormal number of seats, which housed us all among the bags, heavily wrinkled books, wrappers, abandoned crisp packets, long empty juice bottles and an almost full bottle of Absolut Vodka that was rolling around the floor at our feet. As the journey went on that vodka became more and more attractive.
It had been a rough morning.
The cinema was packed. With a 12A certificate I didn't expect too much from this new supposed horror starring the slowly maturing Daniel Radcliffe. In fact, I suspected a lot of the younger members of the audience to be there because of the mere presence of Harry Potter.
After taking our seats, we relaxed, sitting back to watch everyone else pile in after us, people soon struggling for places together as seating became more and more limited. Upon sitting, Grace quickly produced Cadbury's Fudges, brunch bars, trebor mints and tin foil parcels full of sandwiches from her handbag. All were passed up and down our line of six as we awaited the lights going down and the usual onslaught of adverts.

This new version of 'The Woman in Black' was pretty good and a decent enough adaptation of the ghost story with plenty of freaky effects and jumpy moments. Radcliffe was even passable alongside the excellent Julius Ceasar, sorry, Ciaran Hinds.
Unfortunately some of the viewing experience was marred due to the younger elements in the crowd who apparently found it hilarious whenever they jumped with fright. Quite often they'd be laughing, giggling or talking among themselves long after their initial jump of fright, enough to put you off what was going on in the movie long after the jump.
On one occasion, moments after one of the film's jumpier moments, a voice echoed from one of the seats behind me.
"A pure shat maself there, by the way!"
The young guy's voice echoed throughout the cinema as the film's dialogue went on. As entertaining as this ned shitting himself may have been, I was rather more interested in what the following effects of the sudden blur, moving shadow or face in the window was on the big screen before me.
After the film we made our way home, getting lost in the car park across the road, unable to find the Scooby van. We got the elevator up and then back down again after realising the payment machine was at ground level. After waiting in a short queue, behind a snobby woman that sniffed in our general direction (I’m not sure who she was sniffing) we were then charged a grand total of £6.60 for the two and a half hours we’d been parked there (it may have been an NCP, robbing gits). Following this we then hit two different floors before finally arriving at the correct floor to find Jillian’s Mum’s car patiently waiting.
We should have just parked at the Station Bar.